Shakspeare's dramatic art: and his relation to Calderon and Goethe. Translated from the German [by A. J. W. M. i.e. Morrison].Chapman, 1846 - 554 pagina's |
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Pagina x
... sublime and profound , because it was Christian , and Christian also , even because it was profound and sublime . For this reason , my first endeavour has been to point out the organic gravitating centre X AUTHOR'S PREFACE .
... sublime and profound , because it was Christian , and Christian also , even because it was profound and sublime . For this reason , my first endeavour has been to point out the organic gravitating centre X AUTHOR'S PREFACE .
Pagina xi
Hermann ULRICI. endeavour has been to point out the organic gravitating centre of each of his dramas , i . e . to discover in each that inmost secret spark of life , that unity of idea , which preeminently constitutes a work of art a ...
Hermann ULRICI. endeavour has been to point out the organic gravitating centre of each of his dramas , i . e . to discover in each that inmost secret spark of life , that unity of idea , which preeminently constitutes a work of art a ...
Pagina 8
... organic union of epic and lyric poetry , ( see below , § 3 ) , it is obvious that in order to its more perfect development , the scenic exhibition of narratives from the Holy Scriptures - the dramatic employment of the epical , required ...
... organic union of epic and lyric poetry , ( see below , § 3 ) , it is obvious that in order to its more perfect development , the scenic exhibition of narratives from the Holy Scriptures - the dramatic employment of the epical , required ...
Pagina 9
... organic contrarieties first present themselves in the history of art , no less than in that of humanity itself . It follows , indeed , from the very nature of mind , that it should always first develop separately its individual tenden ...
... organic contrarieties first present themselves in the history of art , no less than in that of humanity itself . It follows , indeed , from the very nature of mind , that it should always first develop separately its individual tenden ...
Pagina 14
... organic kind . Still such was , in the proper and strict sense of the term , the Birth of the Drama . After the Moralities and Interludes had fallen gra- dually into disrepute , the taste of the educated classes , as well as the talents ...
... organic kind . Still such was , in the proper and strict sense of the term , the Birth of the Drama . After the Moralities and Interludes had fallen gra- dually into disrepute , the taste of the educated classes , as well as the talents ...
Overige edities - Alles bekijken
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Volledige weergave - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe, tr. [by ... Hermann Ulrici Volledige weergave - 1846 |
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Volledige weergave - 1846 |
Veelvoorkomende woorden en zinsdelen
Accordingly action already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity view of things virtue weakness whole Winter's Tale