Samuel Beckett l'œvre carrefour/l'œuvre limiteMarius Buning, Matthijs Engelberts, Sjef Houppermans Rodopi, 1997 - 412 pagina's ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure. |
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Pagina 14
... appear in a forthcoming issue of New Literary History ; the papers delivered at the Symposium " Solipsismus und Humor . Zur Erinnerung an Samuel Beckett's 90. Geburtstag " , Humboldt - Universität , Berlin 7-8 June , will be published ...
... appear in a forthcoming issue of New Literary History ; the papers delivered at the Symposium " Solipsismus und Humor . Zur Erinnerung an Samuel Beckett's 90. Geburtstag " , Humboldt - Universität , Berlin 7-8 June , will be published ...
Pagina 45
... appears in plays like Radio II , Theatre II , Play or Catastrophe . In Pochade radiophonique ( Radio II ) , the ... appear thematically . They are built into the formal pattern of the play that has to be carefully analyzed on its surface ...
... appears in plays like Radio II , Theatre II , Play or Catastrophe . In Pochade radiophonique ( Radio II ) , the ... appear thematically . They are built into the formal pattern of the play that has to be carefully analyzed on its surface ...
Pagina 47
... is treated by A and B merely as an object . On the ' symbolical ' level A and B appear as biographers ( or critics ) having received the order to find out all about the author's life , but also to watch him . Theatre II has been 47.
... is treated by A and B merely as an object . On the ' symbolical ' level A and B appear as biographers ( or critics ) having received the order to find out all about the author's life , but also to watch him . Theatre II has been 47.
Pagina 48
... appear as the agents of an institution that controls the writers . They are tracking the author in the statements of ... appears as an attempt to push the author aside , biographers , scholars or critics obtaining a position that was ...
... appear as the agents of an institution that controls the writers . They are tracking the author in the statements of ... appears as an attempt to push the author aside , biographers , scholars or critics obtaining a position that was ...
Pagina 49
... appear that refer to the present , questions that the characters address themselves or ask in the void : W2 : Is anyone looking at me ? Is anyone bothering about me at all ? M : Am I as much as ... being seen ? ( 1970 , 55 ; and 61 ...
... appear that refer to the present , questions that the characters address themselves or ask in the void : W2 : Is anyone looking at me ? Is anyone bothering about me at all ? M : Am I as much as ... being seen ? ( 1970 , 55 ; and 61 ...
Inhoudsopgave
9 | |
31 | |
45 | |
63 | |
S E Gontarski | 96 |
Giuseppina Restivo | 111 |
Minako Okamura | 125 |
Norma Bouchard | 137 |
Keir Elam | 165 |
Helga Schwalm | 181 |
Therese FischerSeidel | 199 |
Charles Krance | 223 |
Ruud Hisgen and Adriaan van der Weel | 243 |
Overige edities - Alles bekijken
Samuel Beckett l'œvre carrefour/l'œuvre limite Marius Buning,Matthijs Engelberts,Sjef Houppermans Gedeeltelijke weergave - 1997 |
Veelvoorkomende woorden en zinsdelen
artistic audience autre avait avant Baal bâillements banana Barrett Beckettian Belacqua bien blanc body bouddhisme Brecht c'est characters Clov Collected Shorter corps critical d'une dernière Derrida désir deux discourse drama Dream effet Endgame essay Estragon été être fait figure Fin de partie glissandi Hamm hermeneutic Ill Seen Ill imagination interpretation jamais John Calder Kafka Knott Krapp Krapp's Last Tape l'autre l'écriture l'imagination l'œuvre language langue lecture lieu listener London lui-même Melencolia mise en scène Molloy monde monologue mort mouvement Murphy n'est Nacht und Träume narrateur narrative narrator œuvre opening lines paradox Paris pensée performance personnages peut pièce play poems postmodern premier Pricks Than Kicks propre prose Proust qu'elle qu'il qu'un Quad reading Recherche représentation rien Rockaby Samuel Beckett savoir Schopenhauer sens seul silence sound stage sujet temps Theatre tout translation visual Vladimir voice voir voix Waiting for Godot Watt Watt's words Worstward Worstward Ho
Populaire passages
Pagina 185 - ... already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.
Pagina 346 - WHAT shall I do with this absurdity O heart, O troubled heart - this caricature, Decrepit age that has been tied to me As to a dog's tail?
Pagina 278 - Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects
Pagina 160 - The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.
Pagina 148 - It resembled them in the sense that it was not ended, when it was past, but continued to unfold, in Watt's head, from beginning to end, over and over again, the complex connexions of its lights and shadows, the passing from silence to sound and from sound to silence, the stillness before the movement and the stillness after, the quickenings and retardings, the approaches and the separations, all the shifting detail of its march and ordinance, according to the irrevocable caprice of its taking place.
Pagina 346 - O heart, O troubled heart— this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye That more expected the impossible— No, not in boyhood when with rod and fly, Or the humbler worm, I climbed Ben Bulben's back And had the livelong summer day to spend.
Pagina 23 - I asked her to look at me and after a few moments — [Pause.] — after a few moments she did, but the eyes just slits, because of the glare. I bent over her to get them in a shadow and they opened.
Pagina 155 - For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man...