Everybody who was anybody: a biography of Gertrude Stein, Volume 1
Putnam, 1975 - 244 pagina's
Reviews the legendary expatriate American writer, art collector, and saloniste, exploring her public and private endeavors, her relationships with family, friends, and fellow artists, and her impact on twentieth-century art and literature
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In one of the most important exchanges in the history of art collecting, Berenson,
as Leo described it, said ' "Do you know Cezanne?" I said that I did not. Where
did one see him? He said, "At Vollard's"; so I went to Vollard's, and was launched.
Like the formal analyses of Cezanne, beneath whose painting she later said she
had composed Three Lives, and the experiments of Picasso, which were soon to
lead to the first Cubist pictures, the 'continuous present' was a means of holding ...
Of course, the differences between what Cezanne and the Cubists attempted and
what Gertrude attempted in the 'continuous present' are vital. While the painters
strove to make a non-narrative form convey a sense of movement in time^.the ...
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LibraryThing ReviewGebruikersrecensie - michaelbartley - LibraryThing
I enjoyed reading and learning about this remarkable woman. she was at the start of the modern painting and literature. he had an influence on 20th century culture and she live a very radical life without making it a issue. she was someone that lived our life and her values Volledige review lezen
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