Everybody who was anybody: a biography of Gertrude Stein, Volume 1
Putnam, 1975 - 244 pagina's
Reviews the legendary expatriate American writer, art collector, and saloniste, exploring her public and private endeavors, her relationships with family, friends, and fellow artists, and her impact on twentieth-century art and literature
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of artistic effort that he began to create what he was later to call 'the atmosphere
of propaganda', the phrase he used to describe the situation at the rue de Fleurus
salon in those early days in Paris. In 1903, however, Leo was a propagandist ...
In a letter to Mabel Weeks, he refers to 'the obligation that I have been under ever
since the Autumn Salon, of expounding L'Art Moderne (you will observe that this
is not the same thing as L'Art Nouveau). . . . The Big Four are Manet, Renoir, ...
The Salon committee advised him not to pay the stated price for the work, but to
offer twenty per cent less - a customary negotiating manoeuvre which in this case
they were sure could not fail. The Matisses, however, poor as they were, reacted
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LibraryThing ReviewGebruikersrecensie - michaelbartley - LibraryThing
I enjoyed reading and learning about this remarkable woman. she was at the start of the modern painting and literature. he had an influence on 20th century culture and she live a very radical life without making it a issue. she was someone that lived our life and her values Volledige review lezen
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