The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 3Harper & brothers, 1854 |
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Pagina 379
... The mortal moon hath her eclipse endured , And the sad augurs mock their own presage Incertainties now crown themselves assur'd , And Peace proclaims olives of endless age . Now with the drops of this most balmy time My love looks fresh ...
... The mortal moon hath her eclipse endured , And the sad augurs mock their own presage Incertainties now crown themselves assur'd , And Peace proclaims olives of endless age . Now with the drops of this most balmy time My love looks fresh ...
Overige edities - Alles bekijken
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 3 Samuel Taylor Coleridge Volledige weergave - 1864 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 3 Samuel Taylor Coleridge Volledige weergave - 1856 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 3 Samuel Taylor Coleridge Volledige weergave - 1858 |
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admiration Antinomianism appear Archdeacon Hare Aristotle believe Biographia Literaria called cause character Christ Christian Church Coleridge Coleridge's common criticism denied diction distinct divine doctrine edition Essay Eucharist existence expressed faculty faith fancy Father feelings Fichte former genius ground heart Holy honor human ideas images imagination instance intellectual intelligence Irenĉus irreligion justified knowledge language latter least Leibnitz less lines literary Luther Lyrical Ballads Maasz means ment metaphysical metre Milton mind moral nature never notion object opinion original outward pantheistic passage perhaps persons philosophy Pindar Plato Plotinus poem poet poetic poetry present principles produced prose quĉ reader reason reference religion religious Schelling Schelling's seems sense sentence Shakspeare Solifidian sonnets soul speak Spinoza spirit stanza style suppose Synesius Tertullian things thou thought tion true truth verse whole words Wordsworth writings καὶ τὸ
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Pagina 414 - Phoebus lifts his golden fire: The birds in vain their amorous descant join, Or cheerful fields resume their green attire: These ears alas! for other notes repine; A different object do these eyes require; My lonely anguish melts no heart but mine; And in my breast the imperfect joys expire; Yet Morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that...
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Pagina 379 - From you have I been absent in the spring, When proud-pied April, dress'd in all his trim, Hath put a spirit of youth in every thing That heavy Saturn laugh'd and leap'd with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew: Nor did...
Pagina 317 - The gold and the crystal cannot equal it: and the exchange of it shall not be for jewels of fine gold. No mention shall be made of coral, or of pearls: for the price of wisdom is above rubies.
Pagina 364 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible, yet still at all events it Struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
Pagina 199 - The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
Pagina 365 - ... every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.