Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 72
... direction . Alone in adopting this particular method , Magritte approached painting as though it constituted a series of ' object - lessons ' , and from this point of departure he has proceeded to put the visual image systematically on ...
... direction . Alone in adopting this particular method , Magritte approached painting as though it constituted a series of ' object - lessons ' , and from this point of departure he has proceeded to put the visual image systematically on ...
Pagina 90
... direction it is indispensable to possess , beforehand , a pro- found historical understanding of the way this work developed . In view of the extraordinarily rapid speed of this development , the very limited number of Duchamp's public ...
... direction it is indispensable to possess , beforehand , a pro- found historical understanding of the way this work developed . In view of the extraordinarily rapid speed of this development , the very limited number of Duchamp's public ...
Pagina 129
... direction which concerns us here ; certainly an extraordinary power of suggestion is obviously expected to emanate from the entirely involuntary mechanical details which predominate , but the results are mostly limited to Chinese ...
... direction which concerns us here ; certainly an extraordinary power of suggestion is obviously expected to emanate from the entirely involuntary mechanical details which predominate , but the results are mostly limited to Chinese ...
Inhoudsopgave
SURREALISM AND PAINTING | 11 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird BRARY Bride Stripped CALIFORNIA Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration INVS Jacques Hérold Joan Miró Kandinsky Lautréamont less LIBRARY DIEGO LIBRARY THE UNIVERSITY light Marcel Duchamp Matta Max Ernst means mind mysterious nature never night objects Pablo Picasso painters painting Paris perfectly Photo Ségalat picture Pierre plastic possible present remains René Magritte revealed Rimbaud Salvador Dali SAN DIEGO LIBRARY SAN DIEGO UNIVERSITY sculpture secret sense shadow SITY surrealism surrealist symbolic things thought tion Toyen UNIV Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy