Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 24
... field of ' composition ' is truly significant ) ; calls which carefully refrain from becoming cries ; a few tempting locks without keys . When Max Ernst arrived on the scene , these different issues were outrageously simplified . He ...
... field of ' composition ' is truly significant ) ; calls which carefully refrain from becoming cries ; a few tempting locks without keys . When Max Ernst arrived on the scene , these different issues were outrageously simplified . He ...
Pagina 70
... field of art , a work can be considered surrealist only in proportion to the efforts the artist has made to encompass the whole psychophysical field ( in which the field of consciousness constitutes only a very small segment ) . Freud ...
... field of art , a work can be considered surrealist only in proportion to the efforts the artist has made to encompass the whole psychophysical field ( in which the field of consciousness constitutes only a very small segment ) . Freud ...
Pagina 93
... field of language , especially around 1920 - a certain number of Marcel Duchamp's puns were publish- ed in the fifth issue of the new series of Littérature ( October 1922 ) as well as on the front inside cover of Pierre Massot's The ...
... field of language , especially around 1920 - a certain number of Marcel Duchamp's puns were publish- ed in the fifth issue of the new series of Littérature ( October 1922 ) as well as on the front inside cover of Pierre Massot's The ...
Inhoudsopgave
SURREALISM AND PAINTING | 11 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird BRARY Bride Stripped CALIFORNIA Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration INVS Jacques Hérold Joan Miró Kandinsky Lautréamont less LIBRARY DIEGO LIBRARY THE UNIVERSITY light Marcel Duchamp Matta Max Ernst means mind mysterious nature never night objects Pablo Picasso painters painting Paris perfectly Photo Ségalat picture Pierre plastic possible present remains René Magritte revealed Rimbaud Salvador Dali SAN DIEGO LIBRARY SAN DIEGO UNIVERSITY sculpture secret sense shadow SITY surrealism surrealist symbolic things thought tion Toyen UNIV Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy