Walter Benjamin: Overpowering ConformismPluto Press, 20 mei 2000 - 298 pagina's Esther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study. |
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Pagina 168
... Begriff der Geschichte ' ( 1939–40 ) 2 ' Das Kunstwerk im Zeitalter seiner technischen Reproduzier- barkeit ' ( 1935–39 ) is not just a piece of art criticism . It sets out an analysis of Technik in general and its marking of social ...
... Begriff der Geschichte ' ( 1939–40 ) 2 ' Das Kunstwerk im Zeitalter seiner technischen Reproduzier- barkeit ' ( 1935–39 ) is not just a piece of art criticism . It sets out an analysis of Technik in general and its marking of social ...
Pagina 264
... Begriff der Geschichte ' , G.S.I.3 , p . 1232 . 27. See ' Der Sürrealismus ' , G.S.II.1 , pp . 296 and 308-9 . One Way Street and Other Writings , New Left Books , London 1979 , pp . 226 and 238 . 28. Notes for ' Über den Begriff der ...
... Begriff der Geschichte ' , G.S.I.3 , p . 1232 . 27. See ' Der Sürrealismus ' , G.S.II.1 , pp . 296 and 308-9 . One Way Street and Other Writings , New Left Books , London 1979 , pp . 226 and 238 . 28. Notes for ' Über den Begriff der ...
Pagina 269
... Begriff der Geschichte ' , G.S.I.2 , p . 703. Illuminations , p . 254 . 176. See G.S.I.2 , p . 634. Charles Baudelaire , p . 135 . 177. G.S.I.2 , p . 702. Illuminations , p . 254. See also entry D 10a , 5 in the Pas- sagenwerk ( 1937–40 ) ...
... Begriff der Geschichte ' , G.S.I.2 , p . 703. Illuminations , p . 254 . 176. See G.S.I.2 , p . 634. Charles Baudelaire , p . 135 . 177. G.S.I.2 , p . 702. Illuminations , p . 254. See also entry D 10a , 5 in the Pas- sagenwerk ( 1937–40 ) ...
Inhoudsopgave
Benjamins Objectives | 42 |
Berlin Chthonic Photos and Trains and Films and Cars | 63 |
Technik and Mirroring | 89 |
Copyright | |
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actual Adorno aesthetic alienation apparatus appears artistic Artwork essay aura Autor als Produzent avant-garde become Begriff der Geschichte Benjamin notes Benjamin writes Berliner Chronik bourgeois bourgeoisie Brecht capitalist Charles Baudelaire collective commodity commodity fetishism communist concept consciousness critical critique cultural Das Kapital deutschen Faschismus dialectical economic Einbahnstraße eternal return experience fascism fetishism film flâneur forces Frankfurt/Main G.S.III Georg Lukács Gershom Scholem Geschichte der Photographie human idea ideology Illuminations industrial insists intellectual Karl Marx Kleine Geschichte Konvolut Kunstwerk im Zeitalter labour literary London Lukács Marx Marx's Marxist mass material materialist modern montage nature Nazi notion objects optical organization Pariser Passagen Passagenwerk pre-1935 past perception political potential progress proletariat reality reflection relations of production relationship representation reproduction revolution revolutionary sagenwerk Scholem second Technik Siegfried Kracauer Soviet Union Street Suhrkamp Sürrealismus surrealist techniques Theorien des deutschen things Traumstadt Trotsky Walter Benjamin Zeitalter seiner technischen