Walter Benjamin: Overpowering ConformismPluto Press, 20 mei 2000 - 298 pagina's Esther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study. |
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Pagina 50
... appearance of aura in early photographs is read as a visual analogy of the represented class's ideology : There was ... appeared in three instalments in Die literarische Welt in September and October 1931. The comfortable ambience of a ...
... appearance of aura in early photographs is read as a visual analogy of the represented class's ideology : There was ... appeared in three instalments in Die literarische Welt in September and October 1931. The comfortable ambience of a ...
Pagina 51
... appearance ' in early photographs.39 This ' technical conditionedness ' forms a ' technical equivalent ' to the actuality of the representation . Benjamin recognizes the external , technical preconditioning of auratic manifestation . It ...
... appearance ' in early photographs.39 This ' technical conditionedness ' forms a ' technical equivalent ' to the actuality of the representation . Benjamin recognizes the external , technical preconditioning of auratic manifestation . It ...
Pagina 196
... appeared in Nikolai Kolli's building- sized structure , a constructivist object depicting a red wedge cleaving a white bloc . It commemorated the first anniversary of the Revolution and was erected on Revolution Square.143 This was a ...
... appeared in Nikolai Kolli's building- sized structure , a constructivist object depicting a red wedge cleaving a white bloc . It commemorated the first anniversary of the Revolution and was erected on Revolution Square.143 This was a ...
Inhoudsopgave
Benjamins Objectives | 42 |
Berlin Chthonic Photos and Trains and Films and Cars | 63 |
Technik and Mirroring | 89 |
Copyright | |
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actual Adorno aesthetic alienation apparatus appears artistic Artwork essay aura Autor als Produzent avant-garde become Begriff der Geschichte Benjamin notes Benjamin writes Berliner Chronik bourgeois bourgeoisie Brecht capitalist Charles Baudelaire collective commodity commodity fetishism communist concept consciousness critical critique cultural Das Kapital deutschen Faschismus dialectical economic Einbahnstraße eternal return experience fascism fetishism film flâneur forces Frankfurt/Main G.S.III Georg Lukács Gershom Scholem Geschichte der Photographie human idea ideology Illuminations industrial insists intellectual Karl Marx Kleine Geschichte Konvolut Kunstwerk im Zeitalter labour literary London Lukács Marx Marx's Marxist mass material materialist modern montage nature Nazi notion objects optical organization Pariser Passagen Passagenwerk pre-1935 past perception political potential progress proletariat reality reflection relations of production relationship representation reproduction revolution revolutionary sagenwerk Scholem second Technik Siegfried Kracauer Soviet Union Street Suhrkamp Sürrealismus surrealist techniques Theorien des deutschen things Traumstadt Trotsky Walter Benjamin Zeitalter seiner technischen