Walter Benjamin: Overpowering ConformismPluto Press, 20 mei 2000 - 298 pagina's Esther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study. |
Vanuit het boek
Resultaten 1-3 van 62
Pagina 16
... bourgeois culture , along the lines of futuristic proletkult , but rather a bureaucratic artistic policy . It determines the value of culture according to the class origins of cultural producers . Soon it would become an instrument of ...
... bourgeois culture , along the lines of futuristic proletkult , but rather a bureaucratic artistic policy . It determines the value of culture according to the class origins of cultural producers . Soon it would become an instrument of ...
Pagina 50
... bourgeois rule . 33 The bourgeois class imagines itself to be a universal liberator class , until that moment when it has conquered positions of power , at which point Benjamin descries a reactionary turn . Estimating the consequences ...
... bourgeois rule . 33 The bourgeois class imagines itself to be a universal liberator class , until that moment when it has conquered positions of power , at which point Benjamin descries a reactionary turn . Estimating the consequences ...
Pagina 77
... bourgeois ideology insists on maintaining restrictions . The limits experienced in adolescence are the walls of stuffy bourgeois interiors or the spaces informed and constricted by bourgeois morality , such as parents ' drawing rooms ...
... bourgeois ideology insists on maintaining restrictions . The limits experienced in adolescence are the walls of stuffy bourgeois interiors or the spaces informed and constricted by bourgeois morality , such as parents ' drawing rooms ...
Inhoudsopgave
Benjamins Objectives | 42 |
Berlin Chthonic Photos and Trains and Films and Cars | 63 |
Technik and Mirroring | 89 |
Copyright | |
6 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
actual Adorno aesthetic alienation apparatus appears artistic Artwork essay aura Autor als Produzent avant-garde become Begriff der Geschichte Benjamin notes Benjamin writes Berliner Chronik bourgeois bourgeoisie Brecht capitalist Charles Baudelaire collective commodity commodity fetishism communist concept consciousness critical critique cultural Das Kapital deutschen Faschismus dialectical economic Einbahnstraße eternal return experience fascism fetishism film flâneur forces Frankfurt/Main G.S.III Georg Lukács Gershom Scholem Geschichte der Photographie human idea ideology Illuminations industrial insists intellectual Karl Marx Kleine Geschichte Konvolut Kunstwerk im Zeitalter labour literary London Lukács Marx Marx's Marxist mass material materialist modern montage nature Nazi notion objects optical organization Pariser Passagen Passagenwerk pre-1935 past perception political potential progress proletariat reality reflection relations of production relationship representation reproduction revolution revolutionary sagenwerk Scholem second Technik Siegfried Kracauer Soviet Union Street Suhrkamp Sürrealismus surrealist techniques Theorien des deutschen things Traumstadt Trotsky Walter Benjamin Zeitalter seiner technischen