Walter Benjamin: Overpowering ConformismPluto Press, 20 mei 2000 - 298 pagina's Esther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study. |
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Pagina 54
... epic theatre correspond to new technical forms , cinema as much as radio . It stands at the summit of Technik.53 The failure of photography to represent adequately in the ' period of decline ' shows up as an imperfect realization of the ...
... epic theatre correspond to new technical forms , cinema as much as radio . It stands at the summit of Technik.53 The failure of photography to represent adequately in the ' period of decline ' shows up as an imperfect realization of the ...
Pagina 87
... epic theatre . The tech- nological restructuring of experience , specifically of memory and the unconscious , is seen to necessitate new models of textually and visually representing experience . ' Kleine Geschichte der Photographie ...
... epic theatre . The tech- nological restructuring of experience , specifically of memory and the unconscious , is seen to necessitate new models of textually and visually representing experience . ' Kleine Geschichte der Photographie ...
Pagina 234
... epic theatre : The blockage of the real flow of life , the moment when its course comes to a halt , can be felt as a crosscurrent , a reflux ; astonish- ment is this reflux . Dialectic at a standstill is its actual object . It is the ...
... epic theatre : The blockage of the real flow of life , the moment when its course comes to a halt , can be felt as a crosscurrent , a reflux ; astonish- ment is this reflux . Dialectic at a standstill is its actual object . It is the ...
Inhoudsopgave
Benjamins Objectives | 42 |
Berlin Chthonic Photos and Trains and Films and Cars | 63 |
Technik and Mirroring | 89 |
Copyright | |
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actual Adorno aesthetic alienation apparatus appears artistic Artwork essay aura Autor als Produzent avant-garde become Begriff der Geschichte Benjamin notes Benjamin writes Berliner Chronik bourgeois bourgeoisie Brecht capitalist Charles Baudelaire collective commodity commodity fetishism communist concept consciousness critical critique cultural Das Kapital deutschen Faschismus dialectical economic Einbahnstraße eternal return experience fascism fetishism film flâneur forces Frankfurt/Main G.S.III Georg Lukács Gershom Scholem Geschichte der Photographie human idea ideology Illuminations industrial insists intellectual Karl Marx Kleine Geschichte Konvolut Kunstwerk im Zeitalter labour literary London Lukács Marx Marx's Marxist mass material materialist modern montage nature Nazi notion objects optical organization Pariser Passagen Passagenwerk pre-1935 past perception political potential progress proletariat reality reflection relations of production relationship representation reproduction revolution revolutionary sagenwerk Scholem second Technik Siegfried Kracauer Soviet Union Street Suhrkamp Sürrealismus surrealist techniques Theorien des deutschen things Traumstadt Trotsky Walter Benjamin Zeitalter seiner technischen