Walter Benjamin: Overpowering ConformismPluto Press, 20 mei 2000 - 298 pagina's Esther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study. |
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Pagina 104
... flâneur is germane ; for he is a figure who , while strolling the streets , sees himself reflected in windows , in other consumers , and sees fulfilment of his desires promised by the commodities on display that beckon him . The flâneur ...
... flâneur is germane ; for he is a figure who , while strolling the streets , sees himself reflected in windows , in other consumers , and sees fulfilment of his desires promised by the commodities on display that beckon him . The flâneur ...
Pagina 185
... flâneur , who longs to be a free - floating intellectual , is in thrall to the market . The instability of the flâneur's position in the late nineteenth century - at least as constructed in Benjamin's project - issues from changes ...
... flâneur , who longs to be a free - floating intellectual , is in thrall to the market . The instability of the flâneur's position in the late nineteenth century - at least as constructed in Benjamin's project - issues from changes ...
Pagina 190
... flâneur and artist , Benjamin writes : ' He parades the concept of purchasability itself.'109 The avant - garde exits from the dim milieu of seedy conspirators . Emerging from the underworld to snoop upstairs , the flâneur seeks the ...
... flâneur and artist , Benjamin writes : ' He parades the concept of purchasability itself.'109 The avant - garde exits from the dim milieu of seedy conspirators . Emerging from the underworld to snoop upstairs , the flâneur seeks the ...
Inhoudsopgave
Benjamins Objectives | 42 |
Berlin Chthonic Photos and Trains and Films and Cars | 63 |
Technik and Mirroring | 89 |
Copyright | |
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