Walter Benjamin: Overpowering ConformismPluto Press, 20 mei 2000 - 298 pagina's Esther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study. |
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Pagina xi
... technological forms - in art and in all social practices - becomes unavoidable over time . Technological form precipitates social form . In practice , however , Benjamin asserts , this falling into conformity with new technological ...
... technological forms - in art and in all social practices - becomes unavoidable over time . Technological form precipitates social form . In practice , however , Benjamin asserts , this falling into conformity with new technological ...
Pagina 5
... technological change , but a possible , though not guaranteed , interruption of calamitous technological developments . The fizzling ignition - fuse , emblem of the devastating , explosive power of the bourgeoisie , must be severed ...
... technological change , but a possible , though not guaranteed , interruption of calamitous technological developments . The fizzling ignition - fuse , emblem of the devastating , explosive power of the bourgeoisie , must be severed ...
Pagina 87
... technological characteristics exemplified by the technological forms of film and radio , as is the case in Brecht's epic theatre . The tech- nological restructuring of experience , specifically of memory and the unconscious , is seen to ...
... technological characteristics exemplified by the technological forms of film and radio , as is the case in Brecht's epic theatre . The tech- nological restructuring of experience , specifically of memory and the unconscious , is seen to ...
Inhoudsopgave
Benjamins Objectives | 42 |
Berlin Chthonic Photos and Trains and Films and Cars | 63 |
Technik and Mirroring | 89 |
Copyright | |
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