Keyboard Music Before 1700Alexander Silbiger Psychology Press, 2004 - 409 pagina's This series presents introductory guides to key musical genres in the Western classical canon. Designed for the avid listener or the student of music history, each volume offers chapters exploring principal composers and their works, as well as contextual essays. Written by eminent music scholars, generously illustrated with musical examples, and furnished with suggested bibliographies, Routledge Studies in Musical Genres provide readable yet informative surveys for music lovers and dedicated musicians alike. Book jacket. |
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Andrea Gabrieli Baroque bass Bauyn Bernardo Pasquini Book Buxtehude Byrd Byrd’s Cabanilles Cabezon cadence cantus firmus canzonas Chambonnieres chant chorale chords chromatic clavichord composers composition contrapuntal Correa counterpoint d’Anglebert dance early keyboard edition embellishment English EXAMPLE Facsimile fantasias figuration fingering French Frescobaldi Froberger Froberger’s fugal fugue Gabrieli galliard genre German Girolamo harmonic harpsichord harpsichord music imitation improvisation intabulations Italian keyboard instruments keyboard music later liturgical London Louis Couperin Magnificat manuscript measures melody Merulo meter modern motives musicians notation note values octave opening organ music organist ornaments Parthenia Pasquini pavan pedal performance practice pieces pitch plainsong played player polyphonic preludes published reflect registration repertory rhythmic ricercars sarabande Scheidemann Scheidt SCKM seventeenth century Silbiger sixteenth century solo sources strain style suites surviving Sweelinck tablature tempo tenor texture thematic theme Thurston Dart tientos toccatas Trabaci tradition tunes variation versets vocal voices vols volumes