J.M. Coetzee: South Africa and the Politics of WritingUniversity of California Press, 1993 - 147 pagina's David Attwell defends the literary and political integrity of the South African novelist J.M. Coetzee, arguing that he has absorbed the textual turn of postmodern culture while still addressing his nation's ethical crisis. As a form of "situational metafiction," Coetzee's novels are shown to reconstruct and critique some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, Coetzee's work takes seriously the condition of the society in which it is produced. Attwell begins by describing the intellectual and political contexts of Coetzee's fiction. He proceeds with a developmental analysis of the corpus of six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism, and popular culture. Attwell's elegantly written analysis deals both with Coetzee's subversion of the dominant culture around him and with his ability to grasp the complexities of giving voice to the anguish of South Africa. |
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Pagina 25
... Coetzee's emphasis on race and colonialism seems to have been the result of biographical accident rather than the product of a desire for accurate historical representation . Although it is rarely acknowledged , Coetzee is in fact a ...
... Coetzee's emphasis on race and colonialism seems to have been the result of biographical accident rather than the product of a desire for accurate historical representation . Although it is rarely acknowledged , Coetzee is in fact a ...
Pagina 44
... Coetzee shifts attention from cultural anthropol- ogy to historiography . Eugene Dawn's counterpart is the editor and historian S. J. Coetzee , and his mythography is matched by S. J. Coetzee's white nationalist , pioneer history ...
... Coetzee shifts attention from cultural anthropol- ogy to historiography . Eugene Dawn's counterpart is the editor and historian S. J. Coetzee , and his mythography is matched by S. J. Coetzee's white nationalist , pioneer history ...
Pagina 125
... Coetzee's oeuvre from the very beginning . In hindsight we can see that Coetzee's return to South Africa at the start of the 1970s had the effect of ensuring that his fiction would escape the consequences of the " posthistorical " age ...
... Coetzee's oeuvre from the very beginning . In hindsight we can see that Coetzee's return to South Africa at the start of the 1970s had the effect of ensuring that his fiction would escape the consequences of the " posthistorical " age ...
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Afrikaner Age of Iron allegory apartheid argues assertion attempt authority Barbarians Beckett Black Consciousness Bouvard et Pécuchet calls Cape Town Coetzee's novels context critical critique Cruso culture daughter Dawn Dawn's death debate developed Dovey Dovey's Dusklands emerges emphasis Empire essay ethical fact father final Foe's Friday Friday's Gordimer Guma Hendrik imperialism intellectual Interviews involves J. M. Coetzee Jacobus Coetzee Johannesburg Joll Kafka language liberal linguistic literary literature Magda Magistrate Magistrate's means ment metafiction Michael Michael K Michael Vaughan mother Nadine Gordimer Namaquas narrative narrator nouveau roman Novels of J. M. Pale Fire parody political position postcolonial postmodernism problem question reading realism reflexive relations relationship represents Roxana says Schreiner seems self-consciousness semiotic sense sequence situation social South Africa speak story structure struggle Susan textuality theory tion tradition Trans Vietnam Waiting white South African words writing