J.M. Coetzee: South Africa and the Politics of WritingUniversity of California Press, 1993 - 147 pagina's David Attwell defends the literary and political integrity of the South African novelist J.M. Coetzee, arguing that he has absorbed the textual turn of postmodern culture while still addressing his nation's ethical crisis. As a form of "situational metafiction," Coetzee's novels are shown to reconstruct and critique some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, Coetzee's work takes seriously the condition of the society in which it is produced. Attwell begins by describing the intellectual and political contexts of Coetzee's fiction. He proceeds with a developmental analysis of the corpus of six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism, and popular culture. Attwell's elegantly written analysis deals both with Coetzee's subversion of the dominant culture around him and with his ability to grasp the complexities of giving voice to the anguish of South Africa. |
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Pagina 35
... Dusklands and In the Heart of the Country " My name is Eugene Dawn . I cannot help that . Here goes . " The opening sentences of Dusklands present a subject abandoning itself to the neces- sities of its history . Similarly , Coetzee's ...
... Dusklands and In the Heart of the Country " My name is Eugene Dawn . I cannot help that . Here goes . " The opening sentences of Dusklands present a subject abandoning itself to the neces- sities of its history . Similarly , Coetzee's ...
Pagina 38
... Dusklands , " Dawn , " as the supposedly autonomous " I " of what is also the bourgeois moment , the moment of Crusoe , finds himself in the " dusklands " of history , attempting to reestablish a crumbling edifice by means of the " New ...
... Dusklands , " Dawn , " as the supposedly autonomous " I " of what is also the bourgeois moment , the moment of Crusoe , finds himself in the " dusklands " of history , attempting to reestablish a crumbling edifice by means of the " New ...
Pagina 147
... Dusklands , 35-40 ; in Foe , 103-4 , 106–7 , 114-17 ; in In the Heart of the Country 58-60 ; in Life and Times of Michael K , 88–89 , 93 , 97 ; in Waiting for the Barbarians , 70-73 , 86. See also Metafiction Narrative subject ...
... Dusklands , 35-40 ; in Foe , 103-4 , 106–7 , 114-17 ; in In the Heart of the Country 58-60 ; in Life and Times of Michael K , 88–89 , 93 , 97 ; in Waiting for the Barbarians , 70-73 , 86. See also Metafiction Narrative subject ...
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Afrikaner Age of Iron allegory apartheid argues assertion attempt authority Barbarians Beckett Black Consciousness Bouvard et Pécuchet calls Cape Town Coetzee's novels context critical critique Cruso culture daughter Dawn Dawn's death debate developed Dovey Dovey's Dusklands emerges emphasis Empire essay ethical fact father final Foe's Friday Friday's Gordimer Guma Hendrik imperialism intellectual Interviews involves J. M. Coetzee Jacobus Coetzee Johannesburg Joll Kafka language liberal linguistic literary literature Magda Magistrate Magistrate's means ment metafiction Michael Michael K Michael Vaughan mother Nadine Gordimer Namaquas narrative narrator nouveau roman Novels of J. M. Pale Fire parody political position postcolonial postmodernism problem question reading realism reflexive relations relationship represents Roxana says Schreiner seems self-consciousness semiotic sense sequence situation social South Africa speak story structure struggle Susan textuality theory tion tradition Trans Vietnam Waiting white South African words writing