J.M. Coetzee: South Africa and the Politics of WritingUniversity of California Press, 1993 - 147 pagina's David Attwell defends the literary and political integrity of the South African novelist J.M. Coetzee, arguing that he has absorbed the textual turn of postmodern culture while still addressing his nation's ethical crisis. As a form of "situational metafiction," Coetzee's novels are shown to reconstruct and critique some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, Coetzee's work takes seriously the condition of the society in which it is produced. Attwell begins by describing the intellectual and political contexts of Coetzee's fiction. He proceeds with a developmental analysis of the corpus of six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism, and popular culture. Attwell's elegantly written analysis deals both with Coetzee's subversion of the dominant culture around him and with his ability to grasp the complexities of giving voice to the anguish of South Africa. |
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Pagina 32
... critique , and Kirkwood goes on to discuss some of the worst features of the colonizer self : what he calls " the Nero complex " ( " Nero , the usurper of the birthright of Britannicus " ) ; the relationships of intimacy which develop ...
... critique , and Kirkwood goes on to discuss some of the worst features of the colonizer self : what he calls " the Nero complex " ( " Nero , the usurper of the birthright of Britannicus " ) ; the relationships of intimacy which develop ...
Pagina 37
... CRITIQUE OF RATIONALITY A specific social identity is interrogated in Dusklands by means of a parodic replication of historical documents . The spirit of rebellion in Dusklands has been seen by Michael Vaughan as a revolt against ...
... CRITIQUE OF RATIONALITY A specific social identity is interrogated in Dusklands by means of a parodic replication of historical documents . The spirit of rebellion in Dusklands has been seen by Michael Vaughan as a revolt against ...
Pagina 38
... critique of essential Enlightenment concepts , a critique that shows that the consciousness of freedom - the highest goal of human thought - is impossible outside of social relations . Jameson shows the provenance of this theme in the ...
... critique of essential Enlightenment concepts , a critique that shows that the consciousness of freedom - the highest goal of human thought - is impossible outside of social relations . Jameson shows the provenance of this theme in the ...
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Afrikaner Age of Iron allegory apartheid argues assertion attempt authority Barbarians Beckett Black Consciousness Bouvard et Pécuchet calls Cape Town Coetzee's novels context critical critique Cruso culture daughter Dawn Dawn's death debate developed Dovey Dovey's Dusklands emerges emphasis Empire essay ethical fact father final Foe's Friday Friday's Gordimer Guma Hendrik imperialism intellectual Interviews involves J. M. Coetzee Jacobus Coetzee Johannesburg Joll Kafka language liberal linguistic literary literature Magda Magistrate Magistrate's means ment metafiction Michael Michael K Michael Vaughan mother Nadine Gordimer Namaquas narrative narrator nouveau roman Novels of J. M. Pale Fire parody political position postcolonial postmodernism problem question reading realism reflexive relations relationship represents Roxana says Schreiner seems self-consciousness semiotic sense sequence situation social South Africa speak story structure struggle Susan textuality theory tion tradition Trans Vietnam Waiting white South African words writing