The Theatrics of Revolution: Tian Han (1898-1968) and the Cultural Politics of Performance in Modern ChinaHarvard University, 2006 - 554 pagina's |
Inhoudsopgave
Chapter 1The Religiosity and Politics of Performance in Taishō Tokyo | 12 |
Chapter 2Revolutionary Bohemianism in Republican Shanghai | 78 |
Chapter 3Nationalist Traditionalism in the Wartime Hinterland | 152 |
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activities aesthetic anti-Japanese artistic avant-garde Baihua Beijing bohemianism Café Changsha Chen China Chinese intellectuals Chinese opera Chinese students cinema Communist contemporary decadence dianying encounter essay Female Faust female image femme fatale Fengyun film filmmaking gender genre girl Guilin Guo Moruo Han's hinterland Hollywood Huang Huilan Hunan hybrid Japan Japanese Lakeshore Spring Dream leftist literary literature lover Lu Xun Meili modern Chinese movement Nanguo Nanshe nationalist Ouyang Yuqian Pan Jinlian Peking Opera performance play poem poet political protagonist published Republican Shanghai revolution revolutionary romantic Russian Salome scene sexual Shanghai Shen Shi Dongshan Society song Southern Land spirit spoken drama stage Taishō Tokyo Tanizaki Jun'ichirō theater theatrical Tian Han quanji Tian Han wrote Tian Han's Tian's Tokyo sojourn traditional opera transgression trope troupes virgin wartime West Lake White Snake White Snake story Wilde's writing xiju Xu Xian Yan'an Young China Association Zhang Zhou zhuan