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THE TIME I'VE LOST IN WOOING.

The time I've lost in wooing,
In watching and pursuing
The light, that lies

In woman's eyes,

Has been my heart's undoing.
Tho' Wisdom oft has sought me,
I scorn'd the lore she brought me,
My only books

Were woman's looks,

And folly 's all they've taught me.

Her smile when Beauty granted,
I hung with gaze enchanted,
Like him the Sprite,
Whom maids by night

Oft meet in glen that's haunted.
Like him, too, Beauty won me,
But while her eyes were on me,
If once their ray

Was turned away

O! winds could not outrun me.

And are those follies going?
And is my proud heart growing

Too cold or wise

For brilliant eyes

Again to set it glowing?

No, vain, alas! th' endeavour

From bonds so sweet to sever;
Poor Wisdom's chance

Against a glance

Is now as weak as ever.

DEAR HARP OF MY COUNTRY.

Dear Harp of my Country! in darkness I found thee,
The cold chain of silence had hung o'er thee long,
When proudly, my own Island Harp, I unbound thee,
And gave all thy chords to light, freedom, and song!
The warm lay of love and the light note of gladness
Have waken'd thy fondest, thy liveliest thrill;
But, so oft hast thou echoed the deep sigh of sadness,
That ev'n in thy mirth it will steal from thee still.
Dear Harp of my Country! farewell to thy numbers,
This sweet wreath of song is the last we shall twine!
Go, sleep with the sunshine of Fame on thy slumbers,
Till touch'd by some hand less unworthy than mine;
If the pulse of the patriot, soldier, or lover,

Have throbb'd at our lay, 'tis thy glory alone;
I was but as the wind, passing heedlessly over,
And all the wild sweetness I wak'd was thy own.

VOL. IV.

ECHO.

How sweet the answer Echo makes
To music at night,

When, roused by lute or horn, she wakes,
And far away, o'er lawns and lakes,
Goes answering light.

Yet Love hath echoes truer far,

And far more sweet,

Than e'er beneath the moonlight's star,
Of horn or lute, or soft guitar,

The songs repeat.

'Tis when the sigh, in youth sincere,
And only then,-

The sigh that's breath'd for one to hear,
Is by that one, that only dear,

Breathed back again!

Y

OFT IN THE STILLY NIGHT.

[From National Airs.]

Oft, in the stilly night,

Ere Slumber's chain has bound me, Fond Memory brings the light Of other days around me;

The smiles, the tears,

Of boyhood's years,

The words of love then spoken;

The eyes that shone,

Now dimm'd and gone,

The cheerful hearts now broken!

Thus, in the stilly night,

Ere Slumber's chain has bound me, Sad Memory brings the light

Of other days around me.

When I remember all

The friends, so link'd together, I've seen around me fall,

Like leaves in wintry weather;

I feel like one

Who treads alone

Some banquet-hall deserted,

Whose lights are fled, Whose garlands dead, And all but he departed!

Thus, in the stilly night,

Ere Slumber's chain has bound me,

Sad Memory brings the light

Of other days around me.

CHARLES WOLFE.

[CHARLES WOLFE was born in Dublin, Dec. 14, 1791. He was educated at the University of Dublin, was ordained in 1817, became Curate of Donoughmore in Downshire, and died at the Cove of Cork, Feb. 21, 1823. He printed no book during his life-time, but his slender remains in prose and verse were collected some years after his death by Archdeacon Russell.]

The famous ode on The Burial of Sir John Moore was first printed in The Newry Telegraph, an Ulster newspaper, in 1817, with the initials C. W. It was copied into the English papers, and won an instant popularity, but the slight evidence of authorship seems to have dropped out of sight at once. Byron's friends charged him with its composition, but he regretfully disowned it, reading it meanwhile to all his friends with enthusiasm, among others to Shelley, who remarked, 'I should have taken the whole for a rough sketch of Campbell's.' Almost immediately it took its place among the four or five best martial poems in our language, preeminent for simplicity, patriotic fervour, and manly pathos. It was presently discovered that this poem had been written some years before it was printed, by a young Irishman of much promise who died of a decline in his thirty-second year1. When this fact became known, public curiosity was attracted to his name, and an attempt was made by one of his early friends to collect what he had written. Only twelve short pieces, besides the ode, could be discovered; they were mostly songs of love and friendship, full of ardour, and not uninfluenced by the popular Irish manner of Moore. We give one of these, as a favourable specimen of Wolfe's ordinary style.

EDMUND W. GOSSE.

1 It has been usually said that Wolfe paraphrased very closely the report of the death of Sir John Moore in the Edinburgh Annual Register for 1808. A reference to the report in question relegates this statement to the province of fable; the newspaper account is quite bald and commonplace, and the poet has supplied all the salient points out of his own imagination.

THE BURIAL OF SIR JOHN MOORE AT CORUNNA.

Not a drum was heard, not a funeral note,

As his corse to the rampart we hurried;
Not a soldier discharged his farewell shot
O'er the grave where our hero we buried.

We buried him darkly at dead of night,
The sods with our bayonets turning;
By the struggling moonbeam's misty light,
And the lantern dimly burning.

No useless coffin enclosed his breast,

Not in sheet nor in shroud we wound him;
But he lay like a warrior taking his rest
With his martial cloak around him.

Few and short were the prayers we said,

And we spoke not a word of sorrow;

But we stedfastly gazed on the face that was dead, And we bitterly thought of the morrow.

We thought as we hollowed his narrow bed,

And smoothed down his lonely pillow,

That the foe and the stranger would tread o'er his head,
And we far away on the billow!

Lightly they'll talk of the spirit that gone,
And o'er his cold ashes upbraid him,—
But little he'll reck, if they let him sleep on
In the grave where a Briton has laid him.

But half of our weary task was done

When the clock struck the hour for retiring; And we heard the distant and random gun That the foe was sullenly firing.

Slowly and sadly we laid him down,

From the field of his fame fresh and gory; We carved not a line, and we raised not a stoneBut we left him alone with his glory.

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