Christopher MarloweRichard Wilson Longman, 1999 - 273 pagina's Christopher Marlowe has provoked some of the most radical criticism of recent years. There is an elective affinity, it seems, between this pre-modern dramatist and the post-modern critics whose best work has been inspired by his plays. The reason suggested by this collection of essays is that Marlowe shares the post-modern preoccupation with the language of power - and the power of language itself. As Richard Wilson shows in his introduction, it is no accident that the founding essays of New Historicism were on Marlowe; nor that current Queer Theorists focus so much on his images of gender and homosexuality. Marlowe staged both the birth of the modern author and the origin of modern sexual desire, and it is this unique conjunction that makes his drama a key to contemporary debates about the state and the self: from pornography to gays in the military. |
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Pagina ix
... essay ' Marlowe , Marx and Anti - Semitism ' in LEARNING TO CURSE : ESSAYS IN EARLY MODERN CULTURE by Stephen Greenblatt ( 1990 ) 40-56 ; Johns Hopkins University Press for the essay ' Theatre of the Idols ' Marlowe , Rankins and ...
... essay ' Marlowe , Marx and Anti - Semitism ' in LEARNING TO CURSE : ESSAYS IN EARLY MODERN CULTURE by Stephen Greenblatt ( 1990 ) 40-56 ; Johns Hopkins University Press for the essay ' Theatre of the Idols ' Marlowe , Rankins and ...
Pagina 5
... essay , ' Infinite riches in a little room : closure and enclosure in Marlowe ' , had taken Marlowe's fascination with the myth of Icarus seriously enough to present all his plays as varieties of labyrinth : not coincidentally , the ...
... essay , ' Infinite riches in a little room : closure and enclosure in Marlowe ' , had taken Marlowe's fascination with the myth of Icarus seriously enough to present all his plays as varieties of labyrinth : not coincidentally , the ...
Pagina 120
... essay entitled ' Invisible Bullets ' , Stephen Greenblatt had defined culture as a power transparent as the plague carried by colonists to America , and critics were thereafter obsessed by the ways in which Renaissance theatre had ...
... essay entitled ' Invisible Bullets ' , Stephen Greenblatt had defined culture as a power transparent as the plague carried by colonists to America , and critics were thereafter obsessed by the ways in which Renaissance theatre had ...
Inhoudsopgave
Introduction | 1 |
MARJORIE GARBER | 30 |
JONATHAN GOLDBERG | 83 |
Copyright | |
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