Christopher MarloweRichard Wilson Longman, 1999 - 273 pagina's Christopher Marlowe has provoked some of the most radical criticism of recent years. There is an elective affinity, it seems, between this pre-modern dramatist and the post-modern critics whose best work has been inspired by his plays. The reason suggested by this collection of essays is that Marlowe shares the post-modern preoccupation with the language of power - and the power of language itself. As Richard Wilson shows in his introduction, it is no accident that the founding essays of New Historicism were on Marlowe; nor that current Queer Theorists focus so much on his images of gender and homosexuality. Marlowe staged both the birth of the modern author and the origin of modern sexual desire, and it is this unique conjunction that makes his drama a key to contemporary debates about the state and the self: from pornography to gays in the military. |
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Pagina 44
... offered a potential source and text of a somewhat different kind , and one equally relevant to Marlowe's work . In the 1550s , the College found itself besieged by the complex and troublesome question of the nature of the Eucharistic ...
... offered a potential source and text of a somewhat different kind , and one equally relevant to Marlowe's work . In the 1550s , the College found itself besieged by the complex and troublesome question of the nature of the Eucharistic ...
Pagina 45
... offered to God by a priest on behalf of the people to one which suggested , in both words and actions , a feast in which the worshippers entered into communion with Christ by receiving the elements of the Eucharist . " The worshippers ...
... offered to God by a priest on behalf of the people to one which suggested , in both words and actions , a feast in which the worshippers entered into communion with Christ by receiving the elements of the Eucharist . " The worshippers ...
Pagina 249
... offered its answer by the Christian act of salvation itself : faith in Christ's mercy breaks up the apparently acceptable logic of the syllogism . In fact Faustus fails to quote his biblical sources in full , giving only the opening ...
... offered its answer by the Christian act of salvation itself : faith in Christ's mercy breaks up the apparently acceptable logic of the syllogism . In fact Faustus fails to quote his biblical sources in full , giving only the opening ...
Inhoudsopgave
Introduction | 1 |
MARJORIE GARBER | 30 |
JONATHAN GOLDBERG | 83 |
Copyright | |
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Aeneas alien antitheatrical audience Baines Barabas Barabas's boys Bruno Cambridge Catholic Christ Christian Christopher Marlowe claim contemporary critics culture death desire Dido difference discourse divine Doctor Faustus domination Dr Faustus drama dramatist Edward Edward II Elizabethan Elizabethan Theatre England English essay Faustus's Ferneze figure Foucault Ganymede Gaveston gender Goldberg Guise Guise's hell Henry Henry's hero heterosexuality homosexuality Horsey identity ideology Ithamore Jew of Malta Jonathan Jupiter king language Literary London male Marlovian Marlowe's Marlowe's play Marx Marx's masculine Massacre at Paris Mephostophilis MICHEL FOUCAULT misogyny modern monstrous moral Mortimer murder Muscovy Muscovy Company Oxford pamphlet plague playwright political Protestant Queen Rankins Rankins's reading relations relationship religion religious Renaissance rhetoric scene sexual Shakespeare Shepherd SIMON SHEPHERD social society sodomy soul stage Stephen Greenblatt stereotype suggests Tamburlaine theatre theatrical thou transgression Turks University Press violence Walsingham woman women words writing Zenocrate
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