Christopher MarloweRichard Wilson Longman, 1999 - 273 pagina's Christopher Marlowe has provoked some of the most radical criticism of recent years. There is an elective affinity, it seems, between this pre-modern dramatist and the post-modern critics whose best work has been inspired by his plays. The reason suggested by this collection of essays is that Marlowe shares the post-modern preoccupation with the language of power - and the power of language itself. As Richard Wilson shows in his introduction, it is no accident that the founding essays of New Historicism were on Marlowe; nor that current Queer Theorists focus so much on his images of gender and homosexuality. Marlowe staged both the birth of the modern author and the origin of modern sexual desire, and it is this unique conjunction that makes his drama a key to contemporary debates about the state and the self: from pornography to gays in the military. |
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Pagina 63
... represented rather than how it is represented , and tends to assume that texts work realistically . But where the artworks are male- authored and performed entirely by men , it seems necessary to ask how the female is identified , what ...
... represented rather than how it is represented , and tends to assume that texts work realistically . But where the artworks are male- authored and performed entirely by men , it seems necessary to ask how the female is identified , what ...
Pagina 88
... represents an antithesis to his marriage to Juno , not its simulation . The play that follows never recovers that oppositional moment ; rather , its structuring effect leads to the representation of male / female relations caught up ...
... represents an antithesis to his marriage to Juno , not its simulation . The play that follows never recovers that oppositional moment ; rather , its structuring effect leads to the representation of male / female relations caught up ...
Pagina 100
... represent the culture's self - alienation or false consciousness , while the monstrous may represent either the ' lost ... represents two sides of a bad coin . Not only does Tamburlaine enter and transcend the field of these alternatives ...
... represent the culture's self - alienation or false consciousness , while the monstrous may represent either the ' lost ... represents two sides of a bad coin . Not only does Tamburlaine enter and transcend the field of these alternatives ...
Inhoudsopgave
Introduction | 1 |
MARJORIE GARBER | 30 |
JONATHAN GOLDBERG | 83 |
Copyright | |
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Aeneas alien antitheatrical audience Baines Barabas Barabas's boys Bruno Cambridge Catholic Christ Christian Christopher Marlowe claim contemporary critics culture death desire Dido difference discourse divine Doctor Faustus domination Dr Faustus drama dramatist Edward Edward II Elizabethan Elizabethan Theatre England English essay Faustus's Ferneze figure Foucault Ganymede Gaveston gender Goldberg Guise Guise's hell Henry Henry's hero heterosexuality homosexuality Horsey identity ideology Ithamore Jew of Malta Jonathan Jupiter king language Literary London male Marlovian Marlowe's Marlowe's play Marx Marx's masculine Massacre at Paris Mephostophilis MICHEL FOUCAULT misogyny modern monstrous moral Mortimer murder Muscovy Muscovy Company Oxford pamphlet plague playwright political Protestant Queen Rankins Rankins's reading relations relationship religion religious Renaissance rhetoric scene sexual Shakespeare Shepherd SIMON SHEPHERD social society sodomy soul stage Stephen Greenblatt stereotype suggests Tamburlaine theatre theatrical thou transgression Turks University Press violence Walsingham woman women words writing Zenocrate
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