The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 212
... Breton ( 1896-1966 ) . In the 1920s , Breton developed into one of the great fascinators of modern art - a quality which does not always come across in the chanting , verbose cadences of his prose , especially in translation . He ...
... Breton ( 1896-1966 ) . In the 1920s , Breton developed into one of the great fascinators of modern art - a quality which does not always come across in the chanting , verbose cadences of his prose , especially in translation . He ...
Pagina 213
... Breton thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having must be so obsessive that it would create a parallel world . Art and life could then both renew themselves by contacting ...
... Breton thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having must be so obsessive that it would create a parallel world . Art and life could then both renew themselves by contacting ...
Pagina 231
... Breton and the other Surrealists could have met him , though they did not ; it is not known when they first went to Hauterives , but the Palais Idéal immediately became one of the sacred spots of the Surrealist world . Max Ernst made a ...
... Breton and the other Surrealists could have met him , though they did not ; it is not known when they first went to Hauterives , but the Palais Idéal immediately became one of the sacred spots of the Surrealist world . Max Ernst made a ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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