The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 215
... Chirico's work was the necessary link between Romantic art and Surrealism . Below the rational and sensuous surface of nineteenth - century painting , the bright skin of Impressionism , the solid material world of Courbet , or , further ...
... Chirico's work was the necessary link between Romantic art and Surrealism . Below the rational and sensuous surface of nineteenth - century painting , the bright skin of Impressionism , the solid material world of Courbet , or , further ...
Pagina 217
... Chirico had been in Paris just before the war , at the height of Cubism , and knew Apollinaire well enough to have painted his portrait . When the picture plane is flattened but the things on it are still wrenched out of reach by de ...
... Chirico had been in Paris just before the war , at the height of Cubism , and knew Apollinaire well enough to have painted his portrait . When the picture plane is flattened but the things on it are still wrenched out of reach by de ...
Pagina 221
... Chirico's hands the mannequins became one of the great " presences " of twentieth - century art , spectral and pathetic at once , crazed but with a mute Archimedean dignity : " These fragments have I shored against my ruins . " What the ...
... Chirico's hands the mannequins became one of the great " presences " of twentieth - century art , spectral and pathetic at once , crazed but with a mute Archimedean dignity : " These fragments have I shored against my ruins . " What the ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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