The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 164
... Corbusier , thought otherwise . He called New York a tragic hedgehog . He hated its contrasts , the moral and social distances between the street and the spire ; he loathed its mediaeval dirt , the insuperable and souk - like muddle ...
... Corbusier , thought otherwise . He called New York a tragic hedgehog . He hated its contrasts , the moral and social distances between the street and the spire ; he loathed its mediaeval dirt , the insuperable and souk - like muddle ...
Pagina 165
... Corbusier's aphorisms in the early twenties , when Europe was torn by radical unrest , was " architecture or revolution , " as though all the impulses towards social violence came down to errors of housing . ( Nevertheless , Corbusier's ...
... Corbusier's aphorisms in the early twenties , when Europe was torn by radical unrest , was " architecture or revolution , " as though all the impulses towards social violence came down to errors of housing . ( Nevertheless , Corbusier's ...
Pagina 190
... Corbusier could dismiss most of Paris ' historical deposit as a dry crust of junk is the measure of his fervour , and one would be quite wrong to think he did not mean every syllable of the tirades he directed against the sentimental ...
... Corbusier could dismiss most of Paris ' historical deposit as a dry crust of junk is the measure of his fervour , and one would be quite wrong to think he did not mean every syllable of the tirades he directed against the sentimental ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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