The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 61
... Cubism was ; nor did it begin with a pugnacious socio - political programme , like Futurism . It stood for a wholly eclectic freedom to experiment ; it enshrined play as the highest human activity , and its main tool was chance ...
... Cubism was ; nor did it begin with a pugnacious socio - political programme , like Futurism . It stood for a wholly eclectic freedom to experiment ; it enshrined play as the highest human activity , and its main tool was chance ...
Pagina 146
... Cubism . " There is in Nature , " he remarked , “ a tactile , I almost mean ' manual , ' space . " This he explored in his still - lives of the twenties and thirties . It trained his style away from synthetic Cubist uncertainty ...
... Cubism . " There is in Nature , " he remarked , “ a tactile , I almost mean ' manual , ' space . " This he explored in his still - lives of the twenties and thirties . It trained his style away from synthetic Cubist uncertainty ...
Pagina 202
... Cubism - accepted as truth the woolliest nonsense that Theosophy could offer . Precisely because he adhered to this ... Cubism . Given the link through Cubism , Mondrian's progression from nature to abstraction was utterly convincing ...
... Cubism - accepted as truth the woolliest nonsense that Theosophy could offer . Precisely because he adhered to this ... Cubism . Given the link through Cubism , Mondrian's progression from nature to abstraction was utterly convincing ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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