The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 68
... Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had painted a vision of ...
... Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had painted a vision of ...
Pagina 177
... Expressionism . But there were single architects too whom the official histories of modernist architecture have tended to pass by , because their work was religious , or mystical - Utopian , or outright crazy : and they had their effect ...
... Expressionism . But there were single architects too whom the official histories of modernist architecture have tended to pass by , because their work was religious , or mystical - Utopian , or outright crazy : and they had their effect ...
Pagina 310
... Expressionism by the cult of the imperious Ego . Brancusi ignored Expressionism by asserting that a stone could be as full of meaning as anything it might be made to represent . His attitude would have been understood at once in Japan ...
... Expressionism by the cult of the imperious Ego . Brancusi ignored Expressionism by asserting that a stone could be as full of meaning as anything it might be made to represent . His attitude would have been understood at once in Japan ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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