The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 68
... Expressionist choice . The German Dadaists thought otherwise . They laughed at the inwardness of Expressionism , its habit of describing every event in terms of the tyrannical Ich . Despising mysticism as a flight from reality , they ...
... Expressionist choice . The German Dadaists thought otherwise . They laughed at the inwardness of Expressionism , its habit of describing every event in terms of the tyrannical Ich . Despising mysticism as a flight from reality , they ...
Pagina 290
... Expressionist love - devouring , narcissistic , and pitched to an abandoned fortissimo . Perhaps as a result of his severe nervous breakdown after the war ( like Kirchner , he was one of its living victims ) , Kokoschka did not keep ...
... Expressionist love - devouring , narcissistic , and pitched to an abandoned fortissimo . Perhaps as a result of his severe nervous breakdown after the war ( like Kirchner , he was one of its living victims ) , Kokoschka did not keep ...
Pagina 310
... Expressionism ( especially Kandinsky's or Franz Marc's variety ) expected art to do . For Expressionism was , so to ... Expressionist and transcendentalist strains predominated in " advanced " art after World War II . That they could do ...
... Expressionism ( especially Kandinsky's or Franz Marc's variety ) expected art to do . For Expressionism was , so to ... Expressionist and transcendentalist strains predominated in " advanced " art after World War II . That they could do ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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