The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 68
... German art . It came from Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had ...
... German art . It came from Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had ...
Pagina 199
... German workers stood over six feet , and the lighting fixtures were flush with the ceiling . The Siedlungen , in their well- meaning regimentation of living habits , marked the high tide of the intrusion of bureaucratic master planning ...
... German workers stood over six feet , and the lighting fixtures were flush with the ceiling . The Siedlungen , in their well- meaning regimentation of living habits , marked the high tide of the intrusion of bureaucratic master planning ...
Pagina 405
... German longings for a mythic past back into modern culture , enabling Germans - for the first time , in the visual arts , since 1933 - to move with an easy conscience amid their inherited Romantic imagery , so fatally contaminated by ...
... German longings for a mythic past back into modern culture , enabling Germans - for the first time , in the visual arts , since 1933 - to move with an easy conscience amid their inherited Romantic imagery , so fatally contaminated by ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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