The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 192
... Gropius ( 1883-1969 ) , two older Weimar institutions were fused . One was the Grand Ducal Academy of Art , dating from the mid - eighteenth century ; the other was a much newer affair , the Arts and Crafts School , set up in Weimar in ...
... Gropius ( 1883-1969 ) , two older Weimar institutions were fused . One was the Grand Ducal Academy of Art , dating from the mid - eighteenth century ; the other was a much newer affair , the Arts and Crafts School , set up in Weimar in ...
Pagina 194
... Gropius , whose work up to 1914 was all industrial . In his precocious design for the Fagus shoe- last factory of 1911 , probably the most " advanced " building of any sort put up in Europe before the Great War , Gropius not only ...
... Gropius , whose work up to 1914 was all industrial . In his precocious design for the Fagus shoe- last factory of 1911 , probably the most " advanced " building of any sort put up in Europe before the Great War , Gropius not only ...
Pagina 195
... Gropius's own career . Nothing more was heard about wood as the material of Utopia . The Dessau Bauhaus was all steel , concrete , and glass ( plate 134 ) , designed by Gropius as a polemical metaphor of collaboration with industry ...
... Gropius's own career . Nothing more was heard about wood as the material of Utopia . The Dessau Bauhaus was all steel , concrete , and glass ( plate 134 ) , designed by Gropius as a polemical metaphor of collaboration with industry ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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