The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 299
... Kandinsky seemed more fruitful than the kind of approach which , descending from Munch , depended on the Angst - filled human figure . The work of Wassily Kandinsky ( 1866-1944 ) is bound to present its admirers with problems , and ...
... Kandinsky seemed more fruitful than the kind of approach which , descending from Munch , depended on the Angst - filled human figure . The work of Wassily Kandinsky ( 1866-1944 ) is bound to present its admirers with problems , and ...
Pagina 301
... Kandinsky was certainly one of the first to expel objects from his work so as to reach a higher intensity of feeling . Abstraction for its own sake had no interest for him ( in fact he repeatedly condemned it ) and so , although the ...
... Kandinsky was certainly one of the first to expel objects from his work so as to reach a higher intensity of feeling . Abstraction for its own sake had no interest for him ( in fact he repeatedly condemned it ) and so , although the ...
Pagina 313
... Kandinsky's work , which was exhibited in depth – a retro- spective of more than two hundred paintings and drawings - at the Museum of Non- Objective Art in New York in 1945. This show was the climax of a steady exposure to Kandinsky ...
... Kandinsky's work , which was exhibited in depth – a retro- spective of more than two hundred paintings and drawings - at the Museum of Non- Objective Art in New York in 1945. This show was the climax of a steady exposure to Kandinsky ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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