The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 40
... Marinetti ( 1876-1944 ) , part lyrical genius , part organ grinder , and , in later years , part Fascist demagogue . He was by his own account the most modern man in his own country . By any imaginable standards he was a singular ...
... Marinetti ( 1876-1944 ) , part lyrical genius , part organ grinder , and , in later years , part Fascist demagogue . He was by his own account the most modern man in his own country . By any imaginable standards he was a singular ...
Pagina 61
... Marinetti's provocative dandyism gave Tzara , in particular , his model of style . But Zurich Dadaism did not worship the machine , still less imitate Marinetti's bombinations in praise of war . " I had no love for the death's - head ...
... Marinetti's provocative dandyism gave Tzara , in particular , his model of style . But Zurich Dadaism did not worship the machine , still less imitate Marinetti's bombinations in praise of war . " I had no love for the death's - head ...
Pagina 63
... Marinetti wanted to destroy culture in the name of the Future , Ball for the sake of the Past : " We should burn all libraries and allow to remain only that which everyone knows by heart . A beautiful age of the legend would then begin ...
... Marinetti wanted to destroy culture in the name of the Future , Ball for the sake of the Past : " We should burn all libraries and allow to remain only that which everyone knows by heart . A beautiful age of the legend would then begin ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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