The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 118
... Monet was to arrive at the same place by a different route . If Monet had died in the same year as Seurat , 1891 , he would still be honoured as the essential Impressionist ; but his importance to modern art would not be crucial . None ...
... Monet was to arrive at the same place by a different route . If Monet had died in the same year as Seurat , 1891 , he would still be honoured as the essential Impressionist ; but his importance to modern art would not be crucial . None ...
Pagina 121
... Monet's decision to treat Rouen like a poplar , a haystack , or a patch of lawn , thereby implying that consciousness is more important than any religion . The Cathedrals came out runny and pasty with colour , like gritty , melting ice ...
... Monet's decision to treat Rouen like a poplar , a haystack , or a patch of lawn , thereby implying that consciousness is more important than any religion . The Cathedrals came out runny and pasty with colour , like gritty , melting ice ...
Pagina 124
... Monet's lily - pond ( plate 78 ) . For the pond was as artificial as painting itself . It was flat , as a painting is . What showed on its surface , the clouds and lilypads and cat's - paws of wind , the dark patches of reflected ...
... Monet's lily - pond ( plate 78 ) . For the pond was as artificial as painting itself . It was flat , as a painting is . What showed on its surface , the clouds and lilypads and cat's - paws of wind , the dark patches of reflected ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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