The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 341
... Pop art - which did not yet exist - but as the end of a tradition of still - life that began with Chardin . And yet Johns's effort to fuse subject and object in one problematic field was going to have deep effects on art , especially ...
... Pop art - which did not yet exist - but as the end of a tradition of still - life that began with Chardin . And yet Johns's effort to fuse subject and object in one problematic field was going to have deep effects on art , especially ...
Pagina 342
... painting were no longer socially dominant media ; movies , LP records , and the TV screen had displaced them and supplied the ruling diction . As Lawrence Alloway , the English critic who was the first to use the phrase " Pop art ...
... painting were no longer socially dominant media ; movies , LP records , and the TV screen had displaced them and supplied the ruling diction . As Lawrence Alloway , the English critic who was the first to use the phrase " Pop art ...
Pagina 432
... Pop Art . London : Thames & Hudson , 1967. New York : Oxford Univ . Press , 1966 ; Praeger , 1969 . Lippard , Lucy Six Years : The Dematerialization of the Art Object from 1966 to 1972. New York : Praeger , 1973 . Meyer , Ursula ( comp ...
... Pop Art . London : Thames & Hudson , 1967. New York : Oxford Univ . Press , 1966 ; Praeger , 1969 . Lippard , Lucy Six Years : The Dematerialization of the Art Object from 1966 to 1972. New York : Praeger , 1973 . Meyer , Ursula ( comp ...
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