The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 164
... Utopian schemes . That none of them succeeded , we take for granted ; in fact , we have got so used to accepting the failure of Utopia that we find it hard to understand our cultural grandparents , many of whom believed , with the ...
... Utopian schemes . That none of them succeeded , we take for granted ; in fact , we have got so used to accepting the failure of Utopia that we find it hard to understand our cultural grandparents , many of whom believed , with the ...
Pagina 207
... Utopian city plans of architects do not ? Partly , no doubt , because the space of art is the ideal one of fiction . In it , things are not used and they never decay ; one cannot walk in a painting , as one walks along a street or ...
... Utopian city plans of architects do not ? Partly , no doubt , because the space of art is the ideal one of fiction . In it , things are not used and they never decay ; one cannot walk in a painting , as one walks along a street or ...
Pagina 209
... Utopian modernist town planning . In the 1950s , Brazil wanted a new capital : it was necessary , in the opinion of its leader – a narcissistic and touchy supremo named Kubitschek to show the world some economic vigour by conspicuously ...
... Utopian modernist town planning . In the 1950s , Brazil wanted a new capital : it was necessary , in the opinion of its leader – a narcissistic and touchy supremo named Kubitschek to show the world some economic vigour by conspicuously ...
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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