The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 177
... architects who came of professional age between 1910 and 1920 was profoundly charged by a sense of the millennium - the literal renewal of history at the end of a thousand - year cycle , the beginning of the twentieth century . This ...
... architects who came of professional age between 1910 and 1920 was profoundly charged by a sense of the millennium - the literal renewal of history at the end of a thousand - year cycle , the beginning of the twentieth century . This ...
Pagina 181
... architect must " reject all aesthetic specu- lation , all doctrine , and all formalism " - an injunction that sounds odd today , since the only architects who proved to be more doctrinaire and formalist than Mies were his imitators ...
... architect must " reject all aesthetic specu- lation , all doctrine , and all formalism " - an injunction that sounds odd today , since the only architects who proved to be more doctrinaire and formalist than Mies were his imitators ...
Pagina 211
... architects . " One may take it for granted — or , at least , hope to do so – that people will always be moved and delighted by the Seagram Building , just as they are by the Palazzo Rucellai or the Petit Trianon . A poetic conception as ...
... architects . " One may take it for granted — or , at least , hope to do so – that people will always be moved and delighted by the Seagram Building , just as they are by the Palazzo Rucellai or the Petit Trianon . A poetic conception as ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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