The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 207
... bodies , except through the ocular perception of colour . Architecture and design , on the other hand , have everything to do with the body and the unredeemed body , at that . Without complete respect for the body as it is , and for ...
... bodies , except through the ocular perception of colour . Architecture and design , on the other hand , have everything to do with the body and the unredeemed body , at that . Without complete respect for the body as it is , and for ...
Pagina 298
... body as a specimen , all its privacy brushed aside . Bacon thought there was a strong analogy between the body's various availabilities to inspection , sex , or political coercion . All three evoked different forms of abandonment , the ...
... body as a specimen , all its privacy brushed aside . Bacon thought there was a strong analogy between the body's various availabilities to inspection , sex , or political coercion . All three evoked different forms of abandonment , the ...
Pagina 389
... body . In paintings from the " Indian Birds " series like Shoubeegi , 1978 ( plate 250 ) , he would replace the solid back plane with a mesh support , so that the agitated , wiggling shapes seemed to hang in the air . Their colour ...
... body . In paintings from the " Indian Birds " series like Shoubeegi , 1978 ( plate 250 ) , he would replace the solid back plane with a mesh support , so that the agitated , wiggling shapes seemed to hang in the air . Their colour ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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