The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 173
... building is , roughly speaking , the relative relationship between its strength and its stiffness . Brick is stiff , but completely inelastic ( like biscuit ) and weak in bending ; it breaks in tension at a stress of 800 pounds per ...
... building is , roughly speaking , the relative relationship between its strength and its stiffness . Brick is stiff , but completely inelastic ( like biscuit ) and weak in bending ; it breaks in tension at a stress of 800 pounds per ...
Pagina 181
... building cheaper than I did for you last year , because now I have a religion ' - flat roof , factory made curtain walls , a rationalization for cheapness . " This fallout from his ideas was not , however , what Mies had in mind in 1923 ...
... building cheaper than I did for you last year , because now I have a religion ' - flat roof , factory made curtain walls , a rationalization for cheapness . " This fallout from his ideas was not , however , what Mies had in mind in 1923 ...
Pagina 194
... Building " taught its students nothing about structural mechanics , building codes , strength of materials , or site procedures . Eight years after he built the Fagus factory , Gropius was exhorting his students to think in terms of ...
... Building " taught its students nothing about structural mechanics , building codes , strength of materials , or site procedures . Eight years after he built the Fagus factory , Gropius was exhorting his students to think in terms of ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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