The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 114
... colour analysis and visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul . Local colour , Chevreul had shown , was mixed on the eye . A spot of pure colour ...
... colour analysis and visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul . Local colour , Chevreul had shown , was mixed on the eye . A spot of pure colour ...
Pagina 132
... Colour was the sign of vitality , the emblem of well - being , and it did not need thick symbolical overtones . It was enough that colour should take its stand on authenticity of feeling ; that it should expend and sharpen the artist's ...
... Colour was the sign of vitality , the emblem of well - being , and it did not need thick symbolical overtones . It was enough that colour should take its stand on authenticity of feeling ; that it should expend and sharpen the artist's ...
Pagina 300
... colour , pointed towards the next stage of his work , in which colour would gradually be detached from description : The Murnau landscapes present a lusciously coloured and rather toylike world of well - being , and this romantic vision ...
... colour , pointed towards the next stage of his work , in which colour would gradually be detached from description : The Murnau landscapes present a lusciously coloured and rather toylike world of well - being , and this romantic vision ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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