The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 80
... cultural chauvinism . Weimar culture wanted to address a broad audience , directly and with constructive , economical means ; Paris culture had Art Deco , the last luxury style based on the elegant display of surplus labour in ...
... cultural chauvinism . Weimar culture wanted to address a broad audience , directly and with constructive , economical means ; Paris culture had Art Deco , the last luxury style based on the elegant display of surplus labour in ...
Pagina 341
... culture environment ; and that defence , in the sixties , became more arduous than it had ever been for American artists before . One would have thought the stage was set for Pop art in America in the 1950s . Certainly the materials ...
... culture environment ; and that defence , in the sixties , became more arduous than it had ever been for American artists before . One would have thought the stage was set for Pop art in America in the 1950s . Certainly the materials ...
Pagina 411
... culture from which the first - hand experience of nature was virtually obliterated , except ( through the ecology movement ) as a subject of political concern . This culture was permeated with a curious and distancing sense of replay ...
... culture from which the first - hand experience of nature was virtually obliterated , except ( through the ecology movement ) as a subject of political concern . This culture was permeated with a curious and distancing sense of replay ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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