The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 85
... fantasies took on a naïvely didactic air . What would be the right house for one of the heroes of Modernity , an aviator ? What but a building shaped like a biplane made of bright blocks and slabs ( plate 48 ) ? But whatever the forces ...
... fantasies took on a naïvely didactic air . What would be the right house for one of the heroes of Modernity , an aviator ? What but a building shaped like a biplane made of bright blocks and slabs ( plate 48 ) ? But whatever the forces ...
Pagina 95
... fantasies , like modern advertising , but organizations of what was available : what the street gave . The slogans were terse and , to a capitalist eye , naïvely unglamorous : Anyone who is not a shareholder of DOBROLET is not a citizen ...
... fantasies , like modern advertising , but organizations of what was available : what the street gave . The slogans were terse and , to a capitalist eye , naïvely unglamorous : Anyone who is not a shareholder of DOBROLET is not a citizen ...
Pagina 178
... fantasies did find some play - if not full realization - in two buildings : the Steel Industries Pavilion at the Leipzig building - trades exhibition of 1913 , which he co - designed with Franz Hoffmann ( an octagonal curtain - wall ...
... fantasies did find some play - if not full realization - in two buildings : the Steel Industries Pavilion at the Leipzig building - trades exhibition of 1913 , which he co - designed with Franz Hoffmann ( an octagonal curtain - wall ...
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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