The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 217
... figures in the piazze are sculptures , some of them quite recognizable : de Chirico's recurrent figure of a Philosopher is taken from a curious marble statue of the Torinese savant Bottero , which stands conversationally on a low plinth ...
... figures in the piazze are sculptures , some of them quite recognizable : de Chirico's recurrent figure of a Philosopher is taken from a curious marble statue of the Torinese savant Bottero , which stands conversationally on a low plinth ...
Pagina 281
... figures of men and women , gazing out to sea in a trance of solipsism , are perhaps the last descendants of the melancholy figure - in - a- landscape of Romantic art , but the landscape - far from being the reason for the figure's ...
... figures of men and women , gazing out to sea in a trance of solipsism , are perhaps the last descendants of the melancholy figure - in - a- landscape of Romantic art , but the landscape - far from being the reason for the figure's ...
Pagina 285
... figure in The Scream ? Apparently Munch himself , if one can take his account of its genesis at face value . He was strolling on a road with two friends : I was tired and ill - I stood looking out across the fjord - the sun was setting ...
... figure in The Scream ? Apparently Munch himself , if one can take his account of its genesis at face value . He was strolling on a road with two friends : I was tired and ill - I stood looking out across the fjord - the sun was setting ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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