The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 165
... ideal of social transformation through architecture and design was one of the driving forces of modernist culture . Rational design would make rational societies . " It was one of those illusions of the 20s , " recalls Philip Johnson ...
... ideal of social transformation through architecture and design was one of the driving forces of modernist culture . Rational design would make rational societies . " It was one of those illusions of the 20s , " recalls Philip Johnson ...
Pagina 177
... ideal or a real set - up , outside its framework of mystical Expressionism . But there were single architects too whom the official histories of modernist architecture have tended to pass by , because their work was religious , or ...
... ideal or a real set - up , outside its framework of mystical Expressionism . But there were single architects too whom the official histories of modernist architecture have tended to pass by , because their work was religious , or ...
Pagina 207
... ideal pattern , and out of the syncopated rhythms of both he distilled his late Manhattan paintings , such as Broadway Boogie Woogie ( plate 142 ) . They are not simply metaphors of New York . Still less can they be read as plans . But ...
... ideal pattern , and out of the syncopated rhythms of both he distilled his late Manhattan paintings , such as Broadway Boogie Woogie ( plate 142 ) . They are not simply metaphors of New York . Still less can they be read as plans . But ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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