The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 180
... look at the designs Mies , at thirty - four , made for the most important architectural competition held in the first years of Weimar Germany - the Turmhaus - AG's Berlin contest for a high - rise building near Friedrichstrasse Station ...
... look at the designs Mies , at thirty - four , made for the most important architectural competition held in the first years of Weimar Germany - the Turmhaus - AG's Berlin contest for a high - rise building near Friedrichstrasse Station ...
Pagina 386
... look , suggesting a bunker , seems proper to the site - the edge of the Nevada nuclear proving - ground . The ... looks mutable , almost evanescent - less a sculpture than a vibration in vast space . It consists of four hundred stainless ...
... look , suggesting a bunker , seems proper to the site - the edge of the Nevada nuclear proving - ground . The ... looks mutable , almost evanescent - less a sculpture than a vibration in vast space . It consists of four hundred stainless ...
Pagina 405
... look like prophetic emblems of Baselitz's own generation , the bearers of Green eco - politics , Red Army Faction terrorism , and German student revolt in the late sixties . Schönebeck gave up painting in 1966. Baselitz went on to ...
... look like prophetic emblems of Baselitz's own generation , the bearers of Green eco - politics , Red Army Faction terrorism , and German student revolt in the late sixties . Schönebeck gave up painting in 1966. Baselitz went on to ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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