The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 11
... machine that we do . No statistics on pollution , no prospect of melt - downs or core explosions lay on the horizon ; and very few of the visitors to the World's Fair of 1889 had much experience of the mass squalor and voiceless ...
... machine that we do . No statistics on pollution , no prospect of melt - downs or core explosions lay on the horizon ; and very few of the visitors to the World's Fair of 1889 had much experience of the mass squalor and voiceless ...
Pagina 56
... machine , or at least a defiant machine ; but it was also a sad machine , a testament to indifference - that state of mind of which Duchamp was the master . Indeed , his finely balanced indifference was the divide between the late ...
... machine , or at least a defiant machine ; but it was also a sad machine , a testament to indifference - that state of mind of which Duchamp was the master . Indeed , his finely balanced indifference was the divide between the late ...
Pagina 82
... machine ; and so in Goncharova's paintings , as in early Malevich or even Chagall , one sees incessant references to the machine aesthetic : Goncharova's steam - iron and metallically pleated shirtfront in The Laundry , 1912 ( plate 46 ) ...
... machine ; and so in Goncharova's paintings , as in early Malevich or even Chagall , one sees incessant references to the machine aesthetic : Goncharova's steam - iron and metallically pleated shirtfront in The Laundry , 1912 ( plate 46 ) ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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