The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 9
... modernist laboratory is now vacant . It has become less an arena for significant experiment and more like a period room in a museum , a historical space that we can enter , look at , but no longer be part of . In art , we are at the end ...
... modernist laboratory is now vacant . It has become less an arena for significant experiment and more like a period room in a museum , a historical space that we can enter , look at , but no longer be part of . In art , we are at the end ...
Pagina 34
... modernism of le style Pompidou . It is still there , only in pockets : the glass and iron city of small arcades , the ... modernist hope . Léger believed , as one cannot imagine Braque doing , that he could make images of the machine age ...
... modernism of le style Pompidou . It is still there , only in pockets : the glass and iron city of small arcades , the ... modernist hope . Léger believed , as one cannot imagine Braque doing , that he could make images of the machine age ...
Pagina 161
... modernist French poetry , from Baudelaire to Éluard . " A weakness of modernist painting nowadays , " Motherwell wrote in 1950 , " especially prevalent in the ' constructivist ' tradition , is inherent in taking over or inventing ...
... modernist French poetry , from Baudelaire to Éluard . " A weakness of modernist painting nowadays , " Motherwell wrote in 1950 , " especially prevalent in the ' constructivist ' tradition , is inherent in taking over or inventing ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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