The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 271
... nature , and van Gogh's sense of an immanent power behind the natural world was so intense that , once one has seen his Saint - Rémy paintings , one has no choice but to see the real places in terms of them - without necessarily seeing ...
... nature , and van Gogh's sense of an immanent power behind the natural world was so intense that , once one has seen his Saint - Rémy paintings , one has no choice but to see the real places in terms of them - without necessarily seeing ...
Pagina 311
... nature - American nature . Throughout the nineteenth century , America seemed to be a repository of sublime landscape effects , from the solitude of its forests as described by de Tocqueville - " a silence so deep , a stillness so ...
... nature - American nature . Throughout the nineteenth century , America seemed to be a repository of sublime landscape effects , from the solitude of its forests as described by de Tocqueville - " a silence so deep , a stillness so ...
Pagina 324
Robert Hughes. SEVEN CULTURE AS NATURE Unlike our grandparents , we live in a world that we ourselves made . Until about fifty years ago , images of Nature were the keys to feeling in art . Nature - its cycles of growth and decay , its ...
Robert Hughes. SEVEN CULTURE AS NATURE Unlike our grandparents , we live in a world that we ourselves made . Until about fifty years ago , images of Nature were the keys to feeling in art . Nature - its cycles of growth and decay , its ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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