The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 163
... objects , as some critics persist in doing , as a form of modernist décor de luxe - Dick Diverish emblems of the rich life . Why not Camel packets instead of imported Gauloises ? Why does the matchbook cover have to come from La ...
... objects , as some critics persist in doing , as a form of modernist décor de luxe - Dick Diverish emblems of the rich life . Why not Camel packets instead of imported Gauloises ? Why does the matchbook cover have to come from La ...
Pagina 301
... object and was entirely composed of bright colour - patches . Finally I approached closer and only then saw it for what ... objects from his work so as to reach a higher intensity of feeling . Abstraction for its own sake had no interest ...
... object and was entirely composed of bright colour - patches . Finally I approached closer and only then saw it for what ... objects from his work so as to reach a higher intensity of feeling . Abstraction for its own sake had no interest ...
Pagina 325
... Objects and images could not , except at the cost of great labour , be reproduced or multiplied . There was no print , no film , no cathode - ray tube . Each object , singular ; each act of seeing , transitive . The idea that we would ...
... Objects and images could not , except at the cost of great labour , be reproduced or multiplied . There was no print , no film , no cathode - ray tube . Each object , singular ; each act of seeing , transitive . The idea that we would ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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