The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 60
... one's intellectual peers - the essence of metropolitanism , and therefore of modernism , which in its self - referring ironies and sense of civilization was an urban sensibility , born in the cities , petering out in the country . The ...
... one's intellectual peers - the essence of metropolitanism , and therefore of modernism , which in its self - referring ironies and sense of civilization was an urban sensibility , born in the cities , petering out in the country . The ...
Pagina 81
... one's art , even with no guarantees of effectiveness , between the official message and the audience . Over there , Stalin is still rolling in his sleep . But before Stalin there was one moment in Russia when advanced art served the ...
... one's art , even with no guarantees of effectiveness , between the official message and the audience . Over there , Stalin is still rolling in his sleep . But before Stalin there was one moment in Russia when advanced art served the ...
Pagina 425
... one's jealously hoarded " criticality " as an artist . The contrast between our fin - de - siècle and the last seems blinding : from Cézanne and Seurat to Gilbert and George , in just a hundred years . The year 1900 seemed to promise a ...
... one's jealously hoarded " criticality " as an artist . The contrast between our fin - de - siècle and the last seems blinding : from Cézanne and Seurat to Gilbert and George , in just a hundred years . The year 1900 seemed to promise a ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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