The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 125
... painter's obsessive scrutiny , the most analyzed mountain in art . One sees how absolutely Cézanne despised repetition , and how working en série was his strategy for avoiding it . He never painted the same mountain twice . Each ...
... painter's obsessive scrutiny , the most analyzed mountain in art . One sees how absolutely Cézanne despised repetition , and how working en série was his strategy for avoiding it . He never painted the same mountain twice . Each ...
Pagina 227
... painters , " I in the modern manner and you in the Egyptian . " The first quality that a modern eye finds enchanting in Rousseau's work , its intense stylization ( plate 155 ) , was not at all what the painter wanted . He meant his ...
... painters , " I in the modern manner and you in the Egyptian . " The first quality that a modern eye finds enchanting in Rousseau's work , its intense stylization ( plate 155 ) , was not at all what the painter wanted . He meant his ...
Pagina 260
... painter to whom this markedly applied was an immigrant from Armenia , Arshile Gorky ( 1904-48 ) . In its brief span and tragic end by suicide , Gorky's life as a mature artist formed a kind of Bridge of Sighs between Surrealism and ...
... painter to whom this markedly applied was an immigrant from Armenia , Arshile Gorky ( 1904-48 ) . In its brief span and tragic end by suicide , Gorky's life as a mature artist formed a kind of Bridge of Sighs between Surrealism and ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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